"Vagina Monologues" - Porn Play Debased
Women
June 22, 2011
ESSENTIAL READING:
Lesbian porn, "The
Vagina Monologues" humiliates
and degrades women in the name of feminism and social progress. This is how society
is inducted into the Illuminati (satanic) cult which
is behind both Communism and Feminism.
by Henry Makow Ph.D.
(Updated from Oct. 24, 2001)
"The Vagina Monologues" presents a sad picture of life at the dead-end of feminism. It is an anguished cry for male love by a generation of women deceived by feminism, who now have no choice but to become lesbians.
"The Vagina Monologues" presents a sad picture of life at the dead-end of feminism. It is an anguished cry for male love by a generation of women deceived by feminism, who now have no choice but to become lesbians.
For women who are literally starved
for love, the play provides a steamy experience of sexual intimacy. For young
women who don't know any better, it is an initiation into lesbianism.
Based on interviews with women who
talk about their vaginas, the play purports to rescue the female genitals from
"cultural neglect." For example, the play describes a workshop in
which women examine themselves with hand-mirrors.
"It reminded me of how early
astronomers must have felt with their primitive telescopes," says author,
Eve Ensler. They give their vagina nicknames, dress it up in imaginary outfits,
and imagine what it would say if it could talk (e.g. "Where's
Brian?"). At one performance at the Madison Square Gardens, 18,000 women
were whipped into a frenzy of shouting "cunt" over and over.
They should have been shouting
"penis" because this is really about the loss of male love. Having
lost their femininity and their youth, having rejected or emasculated men,
millions of women are now left sexually high and dry.
Both sexes need validation. Men
these days don't like feminists and feminists know it. Every time we turn on
TV, a man is beat-up or shown-up by a woman. Men resent that women have usurped
the male role and deserted the feminine one.
This is what Ensler is actually
experiencing when she says: "Our self-hatred is only the internalized
repression and hatred of the patriarchal culture."
Women are justified in feeling
unloved and unfulfilled. Ensler says that women want to be used for babies:
"My vagina helped release a giant baby. It thought it would be used more
than that. It's not."
The result is a profound sense of
emptiness and need. "My vagina wants to go deeper. It's hungry for depth.
It's hungry for kisses, kindness. It wants to stop being angry. It wants
everything. It wants to want. It wants."
It appears that only a man can
staunch this wound. Ensler describes a boyfriend, Bob, who loved to gaze at her
genitals for hours and made her feel good about herself for the first time.
She doesn't say what happened to
Bob. The only other men in the play are Ensler's first husband, a philanderer,
and some rapists in Bosnia.
LESBIAN PORN
Thus, "The Vagina
Monologues" quickly becomes a steamy chronicle of lesbian sex. In the
first place, a fixation on female genitals by women is pure homosexuality.
Forgive me for what follows but I am trying to convey the pornographic flavor
of this so-called play.
The author interviews a former tax
lawyer who has become wealthy as a lesbian gigolo. "There are so many
unfulfilled women," she says. "Women pay me to dress up like a man
and dominate them."
She follows with a precise
description of her art ("there are four fingers inside me, two are hers
and two are mine") that turns Ensler on: "Come on," I said.
"Come in."
A 12-year-old girl describes how her
mother entrusted her to the care of a beautiful, worldly 24-year-old woman who
then betrayed this trust by having sex with her: "She transformed my
sorry-assed coochie-snorcher into a kind of heaven."
Ensler regresses with children
stories of the "I'll show you mine if you show me yours" variety. She
asks a six-year-old girl to say what her vagina smells like (snowflakes.) She
informs us that the clitoris has twice the number of nerve fibers as the penis:
"Who needs a handgun when you've got a semiautomatic?"
She describes finding her clitoris
for the first time: "It was all warm and pulsing and ready and young and
alive." I could go on but you get the idea.
ILLUMINATI BRAINWASHING
A measure of our cultural timidity,
depravity and self-delusion is that no major media critic has named this play
for what it is.
"Ensler is an impassioned
wit," says The Los Angeles Times. "A compelling rhapsody of
the female essence," says The Chicago Tribune. "Spellbinding,
funny and almost unbearably moving," says Variety.
The play has been performed in
hundreds of American cities and universities, and in countries from Rumania to
Zaire. Celebrity guest performers include Meryl Streep, Jane Fonda, Calista
Frockhart, and Angelica Huston.
It was performed in Sarajevo by
Marisa Tomei and Glenn Close who said Ensler is "giving women their souls
back." Gillian Anderson (of the X-Files) says: "Eve Ensler is the
Pied Piper. She is leading woman and the world to a different consciousness of
women."
Ensler tries to position this
pitiable lesbian primer in the mainstream. Her fellow Illuminati Jew, Gloria
Steinem writes "men as well as women will emerge from these pages feeling
more free within themselves and about each other."
It is typical of feminists to
portray lesbianism as emancipation. Ensler (left) has "come out" as
yet another survivor of sexual abuse by her father. She has tied the play to
the politicized cause of violence against women.
Her hatred of heterosexuality is
evident by her choice of Valentine's Day, as "V-Day" or anti-violence
day, when her play will be performed. She told Molly Ivens in TIME that the
patriarchal (i.e. nuclear) family is "a deadly institution."
AGITPROP
These tactics are typical of Communist agitprop and a reflection of what we
have become. The nuclear family is the primary institution of heterosexuality.
Before the "sexual revolution," women insisted on marriage and
family, which is heterosexual behavior. This satisfied the profoundest psychological
needs of both sexes and provided a safe context for raising healthy children.
After the sexual revolution, men and
women engaged in promiscuous sex, which had been more typical of homosexuals.
Women, increasingly independent and self-righteous, were unable to form
permanent marriages. Taught that they could "have it all", they are
now frustrated and bitter.
The irony of "The Vagina
Monologues" is that feminists who regularly complain about sexual
objectification embrace the play. There is no mention of love.
This tendency to view sex as
recreation and physical release reflects a self-destructive trend in society.
Normally heterosexuals find sexual fulfillment in marriage and are able to turn
their energies to more important things. Instead, we suffer from cultural
arrested development manifested as a leering adolescent obsession with sex.
Another irony is that feminists
apparently think that, when lesbians do it, an adult having sex with a
12-year-old child is OK. They also think that they can violate the natural
innocence of a 6-year-old girl with invasive questions.
Finally, need I mention that the
play outrages and destroys the mystery, modesty and reserve that is the essence
of mature femininity? Like feminism itself, "The Vagina
Monologues" masquerades as an affirmation of women. In fact, it is a
sickening assault on women.
We must face the fact that feminism
is a homosexual movement in deadly competition with heterosexuality. It is part
of a wider covert war aimed at subverting Western civilization and enslaving
society.
Comments
for ""Vagina Monologues" - Porn Play Debased Women "
Robert said (June 23, 2011):
No doubt for purposes of
facilitating control over people, our cultural and educational contexts are
designed to create emotional
divisions within society. These go down to the level of the individual, in this case in the form of cultivation of the ego.
divisions within society. These go down to the level of the individual, in this case in the form of cultivation of the ego.
I've been reading Gore Vidal's
memoir Palempsist, which exposes the homosexual/bisexual lifestyles of a large
percentage of the artists, mainly writers, who have achieved (or been selected
to have?) prominence in our time. As portrayed by Vidal, they are predominantly
self-obsessed and jealous of their own status. Such are the people whose
writings have been made "essential"
reading by bestseller lists and university curricula and who consequentially have become models for upcoming generations.
reading by bestseller lists and university curricula and who consequentially have become models for upcoming generations.
It is inevitable that consumers of
their creations (especially the young) unwittingly absorb elements of their
philosophical framework.
However, the 'self' is a sad prison
to inhabit, for it excludes wonder--the realization that one neither has come
into being nor exists from
instant to instant through any autonomous capacity; the questioning of what underlying purpose one's life has beyond what other people,
who are as unsuitable as ourselves for making such an important decision, say; the impenetrability of the relationships between mind and body and between thought and ideas; the discovery of the fulfillment deriving from love, etc. To be ridden by ego is to be denied the
experience of humility, which surely, despite all the marvelous achievements of mankind (which obviously do not devolve from one's own
merit), is the only realistic platform from which to study our selves and what we perceive as being outside our selves.
instant to instant through any autonomous capacity; the questioning of what underlying purpose one's life has beyond what other people,
who are as unsuitable as ourselves for making such an important decision, say; the impenetrability of the relationships between mind and body and between thought and ideas; the discovery of the fulfillment deriving from love, etc. To be ridden by ego is to be denied the
experience of humility, which surely, despite all the marvelous achievements of mankind (which obviously do not devolve from one's own
merit), is the only realistic platform from which to study our selves and what we perceive as being outside our selves.
Contrary to popular opinion, to be
humble is not to be small. Smallness results from domination by the ego, which
is what feminism and
all the other "isms" (boosters of feelings of superiority) foster.
all the other "isms" (boosters of feelings of superiority) foster.
Phil said (June 23, 2011):
Dr. Makow – thanks for your expose
of this popular pornographic play. It is a sign of a very sick culture that
things like this are so easily accepted by society these days, along with
torture as official policy, pre-emptive wars, and the slaughter of innocents.
That anyone would even stage a play with such a name – I suppose it goes along
with TV also permitting ads for condoms, tampons, and vaginal odor and itch
remedies.
There is no sense of modesty, much
less morality, to be found in American culture today. “The Vagina Monologues” -
indeed! They only think it’s their vaginas – actually it’s a bunch of assholes
spewing filth, undermining and furthering the perversion of what was once a
great country.
One cannot help but draw the
parallel with the fall of the Roman Empire with their orgies and other
debasements. Thank you for your writing about this. I believe it has all gone
too far now and that we are truly lost as a nation.
Henry Makow received his Ph.D. in
English Literature from the University of Toronto in 1982. He welcomes your
comments at henry@henrymakow.com
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http://henrymakow.com/241001.html#sthash.eOwkcRJG.dpuf
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